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Post Rock/Experimental charts
Bestselling Post Rock/Experimental vinyl
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Review: Wilson Tanner steps on solid ground with Legends, a pastoral odyssey steeped in the rhythms of South Australia's Manon Farm. Swapping coastal breezes for the dusty toil of the vineyard, the duo channel the grit of farm life: dirt-crusted boots, crackling radios, and the far-off hum of summer crickets. Their previous works basked in suburban lethargy and nautical drift, but here, the focus is on the raw textures of agricultural labor, where ducks and dogs roam, tractors rumble past, and stainless steel tanks glint in the sun. Made entirely off-grid, the Manon sessions repurpose wind, brass, balalaika, and synth, rigged together with wire and tape. Legends distills the essence of natural winemaking into sound: feral, unfiltered, and alive with imperfections. Overflowing with rustic charm and irreverent humour, it's a heady swirl of folklore and fermentation, bottled straight from the land.
… Read more in stock €23,60
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Review: ML Buch's new album pushes her experimental pop into new realms and ably builds on the expansive guitar work and catchy melodies introduced in her 2017 debut EP, 'Fleshy'. Her distinctive sound combines synthetic MIDI textures with heartfelt songwriting and ethereal vocals that evoke the fluidity of intimacy in a digital world. Through tender tracks like 'I'm A Girl You Can Hold IRL' and 'Can't Get Over You With You,' the artist takes listeners beneath the skin and explores a visceral, surreal world. Panoramic visuals captured via a pill camera mirror this exploration in a blend of technology and human emotion this is truly unique.
… Read more in stock €25,06
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Paris Texas (Soundtrack) (40th Anniversary Edition) (red vinyl LP in spot-varnished sleeve)
Cat: 060349 7816613. Rel: 29 May 25
Review: American guitar legend Ry Cooder's 1985 score remains a defining example of minimalist film music, built almost entirely around sparse motifs and slide guitar. Recorded for Wim Wenders' feature set in the American Southwest, the ten-track sequence avoids orchestration entirely, opting instead for open-ended cues that feel improvised but never unfocused. 'Paris, Texas' opens with the recognisable main theme i a slow, resonant guitar line set against silence. 'Brothers' and 'Nothing Out There' follow similar patterns, with minor variations in phrasing and tempo. The inclusion of 'Cancion Mixteca', sung by Harry Dean Stanton, adds one of the only vocal moments on the set, grounded in traditional folk. The remainder of the tracks i including 'No Safety Zone', 'Houston In Two Seconds' and 'Dark Was The Night' i continue the pared-back approach, prioritising tone and atmosphere over melody. Some 40 years since its original release, the material hasn't dated i not because it sounds modern, but because it was never trying to. It remains quietly influential, especially in the way it reframed narrative scoring through reduction.
… Read more in stock €27,25
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Crooked Wing (clear vinyl LP + poster + MP3 download code in spot-varnished foil-stamped sleeve)
Cat: WIGLP 553X. Rel: 22 May 25
Review: If Inside the Rose, the fourth album from These New Puritans, was a long-winded production process - spanning six years of work - but saw the Essex outfit return with immediate force, the follow up is much more of a slow-burner at the consumption end. It's a stranger, more experimental and, arguably, visionary example of what these guys do best. And it couldn't feel more engrossing. Deep, immersive, almost ceremonial, powerfully uplifting ('Bells' is particularly life-affirming stuff), it saturates you in gorgeous emotional indie-choral-chimes, and sucks you into these gripping narratives that fall somewhere between swooning electronic, drummy alternative rock and a place which is really only These New Puritans.
… Read more in stock €23,35
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Totality (LP in embossed-sleeve)
Cat: DC 860. Rel: 24 Apr 25
Review: A second joining of forces from two celebrated Chicago acts, blending deep, organic rhythms with a minimalistic electronic pulse. With the novel but logical addition of Jason Stein on bass clarinet, the collaboration stretches even further, pulling together the spiritual fluidity of Natural Information Society and the electronic minimalism of Bitchin Bajas. The first single, 'Clock no Clock,' is a deep dive into hypnotic rhythms, with guimbri grooves intertwining seamlessly with electronic bursts, flutes and organs. The other three tracks are equally compelling, the music unfolding like a living organism, constantly shifting but always grounded. Expansive, intricately woven sonic delights.
… Read morePlayed by: Juno Recommends Rock/Indie
in stock €28,22
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Whistle & I'll Come To You (limited white vinyl LP + MP3 download code (indie exclusive))
Cat: FIRELP 787. Rel: 22 May 25
Review: Swedish trio Death And Vanilla continue to carve out their atmospheric niche, blending elements of post-ambient electronica and spectral folk to craft something distinctly unsettling. Their latest foray into live scoring breathes new life into the eerie, folkloric narrative of a 1968 ghost story. As they shift seamlessly between stuttering tape loops, minimalist drum machines, and haunting choral effects, they create a tension that pulls the listener deeper into the supernatural. Tracks like 'Supernatural Breakfast' are pulsing with an old-school, Carpenter-esque vibe, while others, like 'Nightmares', evoke a sense of unease with their swirling winds and spectral sounds. The band's ability to inhabit these otherworldly spaces is a nod to their growing mastery of atmosphere, a skill that's increasingly becoming their signature. Even as they explore the boundary between the familiar and the uncanny, Death And Vanilla remind us that their sound can be as inviting as it is unnervingly strange.
… Read more in stock €21,65
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Fairyland Codex (limited magenta vinyl LP + autographed insert + MP3 download code (indie exclusive))
Cat: FIRELP 789M. Rel: 19 Jun 25
! low stock €21,65
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Review: We've all been party to solo material by seminal UK shoegaze sorts Ride's guitarist Andy Bell, but what about their bassist? Not so much. Well, that's about to change. Enter the brooding debut solo album from Ride's low-end maestro Steve Queralt. A largely instrumental affair, there's elements of shoegaze and darkly textured soundscapes. Plus there's guest appearances from more 90s legends: Emma Anderson (formerly of Lush and Sing-Sing) and Verity Susman (Electrlane, MEMORIALS) grace the album. Anderson sings on the pummeling lead single 'Lonely Town', which was launched with an aptly monochrome meditative montage of a music video. Given the power of this debut, we suspect this nine-song collection is the first of many solo albums to come, from a musician who has nothing to prove, but plenty to express.
… Read more in stock €21,65
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Review: Bridging the gap between guitar-driven rock and ambient techno - they would later become the first artist to bring guitars to Warp Records - Seefeel skillfully blended electronic loops with post-psychedelic basslines, mermaid-like vocals from Sarah Peacock and intelligent percussion. Their debut album for Too Pure in 1993 was both ahead of its time and timeless, offering a quiet revolution of repetition and downtempo somnolent soundscape, a record that remains beautifully undated. Tracks like 'Imperial'. 'Industrious' and 'Charlotte's Mouth' demonstrate Seefeel's knack for using guitars as electronic complements, layering hypnotic smears of feedback with Peacock's intimate whispers. The eight-minute opener, 'Climatic Phase No. 3', floats with barely-there percussion and a lazy, dreamy melody, while 'Filter Dub' delivers a sublime, drowsy bass line perfect for slipping into sleep. The album's structure leans into drone and quirky ambience, creating an experience more akin to a dream state than a traditional rock record. Quique feels proto-IDM, a precursor to the ambient-motorik noise-pop aesthetic that artists like Tim Hecker and Mouse on Mars would explore. Seefeel's early work remains a blueprint for electronic experimentation, demonstrating that the band's forward-thinking approach helped define a genre that continues to defy easy categorisation. Quique is not just a product of the 90s - it's a sonic vision that still feels fresh and boundary-pushing today.
… Read morePlayed by: Joachim Spieth, Shadow Dancer
in stock €29,19
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Appear Disappear (LP + CD with obi-strip)
Cat: TWOGTL 130LP. Rel: 12 Jun 25
in stock €27,74
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Forever Howlong (gatefold translucent blue vinyl 2xLP + booklet (indie exclusive))
Cat: ZEN 314E. Rel: 03 Apr 25
Review: BC, NR are now onto their third album. The Ninja Tune-signees gained attention for not posing as if they're in a band, but looking like an ordinary group of students, or twentysomethings house-sharing. Their bold look, where they're smiling in the press pics, as opposed to donning a moody pout, has thankfully been backed up with some terrific music. Their debut, For The First Time, earned them favourable comparisons to post-rock trailblazers Slint and their second album Ants From Up There is the Gen-z equivalent of Arcade Fire's Funeral, thanks to its grandiose anthemics. Famously, singer and lyricist Isaac Wood left the band on the even of the release of their second album, which sparked outcry and paranoia from their ever-growing army of fans about what that might mean for their future. But the band have kept at it and the remaining six members have chosen to share frontperson duties, thus relieving the added pressure that comes with being a designated frontperson. This third album - and first post Isaac Wood - is proving to be a striking new chapter, with the lead single, 'Besties', an immediately likeable way of introducing it to the world. Georgia Ellery, also of Jockstrap, takes lead vocals here and offers an unforgettable off-kilter indie pop cut reminiscent of Aldous Harding. Zutons-y sax stabs scattered in make for a beautiful touch and leave us feeling that this is the album that's going to send BC, NR onto a stratospheric level, where they're spoken about in the same breath as Radiohead as one of Britain's finest bands.
… Read more in stock €31,39
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Birthing (trifold 3xLP + DVD + poster in spot-varnished sleeve)
Cat: STUMM 516. Rel: 29 May 25
Birthing (DVD)
Review: American industrial kings Swans' latest offering unfurls across a sprawling 19-minute journey, building a tension that is as much about space as it is about sound. The first half, marked by 'The Healers' and 'I Am A Tower,' feels like an unyielding force, as if the music itself is evolving into something beyond human comprehension. Gira's voice, thick with grit, clashes with the deep rumble of guitars, creating a rhythm that seems to pulse from a primal core. The journey picks up momentum through 'Red Yellow' and 'Guardian Spirit,' where the sound bends and twists, its drone-like qualities alternately lulling and unsettling. By the time 'Away' takes hold, the track feels less like a song and more like an emotional release, with each successive wave stripping something away, leaving raw, exposed moments in their wake. A visceral experience that demands patience and reflection, with each track revealing layers of complexity.
… Read more in stock €48,18
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Review: This underground post-rock classic is now available on double vinyl for the first time since 1993, with a fresh transfer by Frank Arkwright at Abbey Road from the original masters. The God Machine, formed in 1990, released two albums that helped shape the post-rock and post-metal scenes. Despite glowing reviews and live shows supporting the likes of Nick Cave & The Bad Seeds and My Bloody Valentine, they never gained wide recognition, often falling between indie and rock circles. Championing the band, BBC Radio 1's John Peel invited them for sessions in 1992 and 1993, cementing their place in underground music history.
… Read more in stock €33,33
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The World Is Still Here & So Are We (clear vinyl LP (indie exclusive))
Cat: IPC 289LP2. Rel: 08 May 25
Review: Welsh noise-rock royalty Mclusky make their decrepit return on their majorly anticipated fourth album The World Is Still Here & So Are We, marking their first full-length in over two decades, following on from 2004's The Difference Between Me & You Is That I'm Not On Fire. While the Cardiff legends have reformed for brief reunion runs in the past, this time they seriously mean it, revealing their first taste of new material in 19 years through their 2023 EP Unpopular Parts Of A Pig, with the title-track and 'The Digger You Deep' both announced to be featured on their (at the time) as-of-yet unannounced comeback record. Arriving courtesy of Ipecac Recordings, the outsider-rock label ran by vocal absurdist Mike Patton (Faith No More, Tomahawk, Mr. Bungle) and working in the past with the late, great Steve Albini, with the band even supporting for Shellac one fateful night in London's Scala, the chaotic noise-merchants haven't lost one tooth of their bite or snarky cynicism during their long respite, made abundantly clear on blistering lead single 'Way Of The Exploding Dickhead'.
… Read more in stock €24,82
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I'll Be Waving As You Drive Away ('silverado' brown vinyl LP + MP3 download code)
Cat: MEX 3741. Rel: 05 Jun 25
Review: Hayden Pedigo has always defied expectations and conventions. In a world of instant gratification, his music is both immediately enthralling but only truly rewarding for the more patient and deep listener. He's fused to the very core of the instrumental acoustic guitar canon, and yet seems hellbent on putting out record after record of, frankly, incomparable music. In his own words, I'll Be Waving As You Walk Away is "a micro-dose psychedelic album. I wanted it to be this tangible feeling, as if somebody had cut up a tab of LSD and put on a Fahey record." The trip itself is largely thanks to the technical genius at work here, with six strings manipulated in such ways as you often feel entire chasms of melody are opening up for you to fall into, Alice style.
… Read more in stock €23,35
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White Phosphorus (Chris Connelly Plays Throbbing Gristle) (180 gram vinyl LP + insert limited to 250 copies)
Cat: DPROMLP 176. Rel: 29 May 25
Review: "Random, tense, scary and compulsively fascinating". That's how Chris Connelly describes the period in which the tracks on this album were originally written. As the main man behind some of the most iconic and influential industrial bands in history - Ministry, Revolting Cocks, Murder.Inc... - he's definitely well placed to make this kind of judgment. And it comes across even more understandable if you grasp the fact he's meaning all that in a good way. Throbbing Gristle should need no introduction, having pretty much written the blueprint for industrial musick in the nuclear age. A sound that screamed "get us out". Combine that oeuvre with this guy, then, and you have something which is uncompromisingly explosive and effective. Not to mention fitting, given half the people on the street seem convinced we're rushing headfirst into another atomic standoff, if not something much, much worse.
… Read more in stock €21,17
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Cat: SWORD 03LP. Rel: 05 Jun 25
Review: This new collaboration between Swedish producer Civilistjavel! and Lebanese artist Mayssa Jallad is both a conceptual inversion and a sonic ghost of Jallad's original record. Refracting material from her Beirut-focused album through sparse dub techno, Civilistjavel! transforms narrative-rich compositions into abstract, often beatless forms where Mayssa's voice floats disembodied in a fog of delay and reverb. Tracks like 'Baynana (Version)' and 'Holiday Inn (March 21 to 29) (Version)' feel haunted by memory, with structure hinted at but rarely resolved. It's a remarkable shift in context, but one that remains emotionally aligned. Civilistjavel!'s production avoids spectacle in favour of slow erosionivocal fragments hover, dissolve, re-emerge. Even more rhythmic moments like 'Kharita (Dub)' maintain an eerie restraint, built on slippery grooves and shimmering decay. Both artists are working far from their geographic homesiMayssa in Boston, Tomas in Uppsalaibut the result sounds uncannily unified. It's a record that holds grief and beauty in the same hand, illuminating the quiet force of Mayssa's voice and Civilistjavel!'s deft minimalism. Not so much a remix album as a parallel reality: austere, spectral, and deeply moving.
… Read more in stock €19,22
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Review: Switzerland and Britain collide on the latest Mental Groove-facilitated collaboration between Sonic Boom and Sinner DC. An ambient record first laid to tape in 2013 to accompany live performances at the Festival La Batie in Switzerland, this six-track LP edition is but one half of a wider audiovisual experience, inspired by the idea of the limits of representation. Already building on both artists' trilling cross-sectional work in ambient ethertronica and shoegaze, this album pairs with visuals generated by Dutch artist Space Is Green using a modified ZDoom game engine.
… Read more in stock €21,17
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15 Step
Bodysnatchers
Nude
Weird Fishes/Arpeggi
All I Need
Faust Arp
Reckoner
House Of Cards
Jigsaw Falling Into Place
Videotape
Review: "In Rainbows", Radiohead's seventh album, finally gets a physical release! It's one thing downloading this landmark album, but to actually hold this is something special. Not only do you get increased sound quality, but you also get the amazing artwork from Stanley Donwood. This album includes "Nude", a live favourite for many years that was originally written during the "OK Computer" sessions. More minimal that their "Kid A" period, "In Rainbows" does something that very few albums have done - its sound is distinct from previous Radiohead albums, but is still clearly Radiohead. Hail to the kings, they are back on top form.
… Read more in stock €26,27
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in stock €20,93
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Review: It's been a boom period for British post-punk, but with more than five years passing since the craze hit its peak, it's become easier to separate the wheat from the chaff and recognise those who are here to stay and those who had very little to sustain any interest. Squid are here to stay, having blossomed from their shouty beginning into one of the most compelling British bands of the past ten years, with genre-defying qualities and boundless creative spirit. This new album is about evil, nine stories whose protagonists reckon with cults, charisma and apathy. Real and imagined characters wading into the dark ocean between right and wrong. Recorded at Church Studios in Crouch End with Marta Salogni and Grace Banks and Dan Carey on additional production, it's a real gem with a real chance of being up for nomination at the next Mercury Prize ceremony.
… Read more in stock €26,77
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The Sunset Violent (End Of Year Edition) (limited "petrol blue" translucent blue vinyl LP)
Cat: WARPLP 350E. Rel: 24 Oct 24
Review: Mount Kimbie's The Sunset Violent offers a deeply evocative, unsettling exploration of emotional dissonance. Opening with the single 'Dumb Guitar', the album vividly portrays a couple grappling with their fractured relationship amidst the beauty of a fictional Chinese beach resort. Andrea Balency-Bearn's serene vocals juxtapose against lyrics of personal turmoil, while buzzy synths, discordant pianos and overdriven guitars evoke an atmosphere of tension and heartbreak. Mount Kimbie, led by Dom Maker and Kai Campos, have expanded their lineup, adding Balency-Bearn and Marc Pell, crafting a post-punk sound with corroded guitars and skeletal drums. Their sonic evolution from their earlier work culminates here, drawing from influences like Sonic Youth and The Fall, while frequent collaborator King Krule contributes to the melancholic undercurrent. Recorded in California's surreal Yucca Valley and pressed on translucent petrol blue vinyl, this album mirrors the desolation and hope of the landscape. Tracks like 'Yukka Tree' and 'Fishbrain' dive into themes of isolation and disconnection, balancing dark tones with flashes of light. With The Sunset Violent, Mount Kimbie stretch their horizons, blending post-punk, dub, and indie influences into a compelling emotional journey.
… Read morePlayed by: Jeigo
in stock €24,09
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Review: Beth Gibbons releases her debut solo album Lives Outgrown. Notably containing ten songs that were in total written over the course of ten years, the overarching mood is one of saying farewell and musing on the bittersweetness of loss. The English singer and notable Portishead member's solo efforts often operate with this affect, but Gibbons' latest is of special import, given the length of time over which these songs were crafted and occasionally performed over the years. As demonstrated by lead track 'Floating On A Moment', the palette is soft and reflective, hitting only the softest dynamic notes, as Gibbons sings of unique lifetime journeys and a dealt-with sense of friends suffering being left behind.
… Read morePlayed by: Juno Recommends Downtempo
in stock €21,90
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Review: Southend's These New Puritans have a rare ability to create goosebump-inducing music. A big part of is is Jack Barnett's voice, which is truly up there with the likes of Thom Yorke and Hayden Thorpe's in terms of being able to tug at the heartstrings and create grandiose spellbinding atmospheres. Plus, the arrangements that accompany it are of elite level and taste. This new album is their fifth studio album since forming in 2006 and offers plenty in the way of diversity. 'A Season In Hell' is a wild mix of industrial, organ music, trip-hop and choir sounds. Elsewhere, 'Bells' is less intense and let's the atmosphere form gradually and luxuriously. If you want a record to properly blow your socks off, let it be this.
… Read more! low stock €10,46
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Forever Howlong (gatefold 2xLP + booklet + MP3 download code)
Cat: ZEN 314. Rel: 03 Apr 25
Review: James Ford is one of the most important unsung heroes of contemporary pop and rock. As a studio producer, he's helped craft and hone incredible work from Fontaines DC, Arctic Monkeys, Depeche Mode, Blur and more. As an artist in his own right, he's perhaps more incredible. So, his impact on the latest and long-awaited new addition to Black Country New Road's catalogue should not be underestimated. Nor should the result of splitting the songwriting and vocal duties between members Tyler Hyde, Georgia Ellery and May Kershaw. "It's definitely very different" said one of the trio about how this compares to preceding long form outings. We'd say it's definitely very different to most music you'll hear this week. It's folk, soft rock, experimental garage something, and none of the above, with tracks that almost seem at odds with themselves, chopping and changing, evolving and progressing, until you hear them as a whole.
… Read more in stock €30,17
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in stock €10,46
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Cat: 4AD 0642CD. Rel: 22 Aug 24
Review: The Moon and the Melodies, a remarkable collaboration between Cocteau Twins and ambient pioneer Harold Budd, remains a standout achievement in both artists' repertoires. First released in 1986, this enchanting album is now receiving a well-deserved vinyl reissue, meticulously remastered by Robin Guthrie from the original tapes. This album is a stunning fusion of the Cocteau Twins' signature dreamlike atmospheres with Budd's elegant, improvisational piano, resulting in a listening experience that is both expansive and deeply personal. The blending of Elizabeth Fraser's ethereal vocals, seamlessly intertwined with Guthrie's luminous guitar work and Raymonde's resonant bass, creates a sound that is both distinct and evocative. The album effortlessly balances vocal tracks with instrumentals, each adding to its rich and diverse sonic palette. This reissue offers a chance to rediscover a defining moment in the evolution of dream pop and ambient music. The Moon and the Melodies continues to stun audiences. This CD edition is the perfect vehicle to an ethereal beauty of the highest order.
… Read more in stock €10,70
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Review: Epic alert! New York industrial gods Swans' latest single is a 19-minute behemoth that unfurls like an overwhelming emotional landscape. Gira's gravelly voice takes centre stage, enveloped by the steady churn of droning guitars and atmospheric textures that build to a blistering intensity. 'The Healers' and 'I Am A Tower' highlight the band's mastery of long-form tension, each section holding, stretching, and twisting in a way that feels like a momentary release, only to be swallowed by the next wave. It's a slow, deliberate unfolding of sound that's both hypnotic and punishing. This isn't music for the passive listener; it's exhausting yet utterly immersive, teasing out tension and reflection in equal measure. If you didn't know already, consider yoursefl warned.
… Read more in stock €13,87
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Cat: 5894589. Rel: 21 Mar 24
Review: Jazz and punk's best legacies fuse together with this latest collaborative release between The Messthetics and James Brandon. Brandon is a jazz saxophonist and contemporary virtuoso from New York; meanwhile, the Messthetics consist of former Fugazi members - bassist Joe Lally and drummer Brendan Canty with guitarist Anthony Pirog. Continuing the latter's pegging as a 'jazz punk jam', the focus here is on Brandon's novel sax playing, lent to the Messthetics' cathartic, ultimate punk-riffing focus. All is instrumental, as signalled on the lead single 'Emergence', which finds pure enjoyment in variation around a singular four-by-four bass loop. In the saxophonist's own words: "The Messthetics are friends at this point and collaborating with them over the years has now brought us to another high point of musical bonding and purely unapologetic energy!"
… Read more in stock €27,98
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Home Is Where You Hang Yourself (gatefold 'still void' clear vinyl 2xLP (indie exclusive))
Cat: NUM 990LPC2. Rel: 06 Feb 25
Review: Hankerers after 90s band musicians turned Y2K solo electronica artists will water at the mouth at the first play of this one. Her Space Holiday was the first-time solo alias of Marc Bianchi, the American indietronic musician known for his membership of the bands Indian Summer and Calm. Turning his hand to solo soundcraft at the turn of the millennium, and releasing under Skylab and Tiger Style - the latter of which saw to the release of the first edition of this record, albeit with a different sleeve design - Bianchi's solo output would echo the post-hardcore humours that characterised his group work, except for the fact that it would also somewhat electronify them into contrition, resulting in every logical conclusion from lasery broadcast neofolk ('Snakecharmer') to anxiolytic hyperballad emo ('Through The Eyes Of A Child').
… Read more in stock €35,77
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Died In The Wool: Manafon Variations (reissue) (limited gatefold 2xLP)
Cat: 655759 1. Rel: 30 Jan 25
Review: Manafon by David Sylvain of Japan fame is an underrated gem. The electroacoustic improvisation, complete lack of drums, coupled with Sylvain's voice right at the front of the mix, makes for an ambient, freeform and highly experimental sound. The art-pop sonics that saw him gain success in the 70s and 80s is left firmly in the past and he's doing exactly the music he wants hear - not what's expected of him commercially. Now, on vinyl for the first time, comes remixes by classical contemporary genius Dai Fujikura - he wrote the string parts - of six songs from said album. There's also new songs, heavily influenced by Fujikura and an 18-minute piece ('When We Return You Won't Recognise Us') culled from a much longer sound installation that Fukikura and Sylvain created together for the 2008-09 Biennial of Canaries in Gran Canaria. How music this sublime hasn't been on vinyl from the start is beyond us. Thankfully, that's now rectified.
… Read more in stock €35,03
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in stock €20,68
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Review: Brian Eno and Beatie Wolfe join forces on a dual release infusing two distinct musical visions rooted in shared environmental concern. Their new joint release unfolds across two sides, with Luminal offering a vocal-led collection leaning into alt-pop ambiances and timbres, before Lateral rears itself in counterpart as a seamless ambient composition, making up a study in contrast and connection. Recorded in London, the project reflects Eno's lifelong exploration of mood and atmosphere, alongside Wolfe's ongoing push to blur the lines of digital innovation and tactile experience. The project builds the activist art works of Wolfe, a British-American concept artist based in Los Angeles, named by WIRED as one of "22 people changing the world," and tracks the expression of music beyond language or form.
… Read more in stock €17,76
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Review: Brian Eno, legendary master of ambient music and Beatie Wolfe, the LA-based conceptual artist known for her innovative blend of the physical and digital, unite for a collaborative sonic exploration. Throughout 2024, the two artists recorded material that bridges the boundary between deeply personal emotions and universal experiences, creating an evocative soundscape. The work pulses with the distinctive energy of Eno's ambient prowess, while Wolfe's haunting vocals add a layer of intimacy. On tracks like 'Milky Sleep' and 'Hopelessly At Ease', the listener is swept into a dreamlike state where time feels suspended. These moments of calm are balanced by the more urgent, yet still deeply meditative, 'Suddenly', which sways between serenity and tension. The delicate interplay between light and shadow becomes even more palpable on 'A Ceiling and Lifeboat', where the quiet sense of stillness gives way to a profound sense of rebirth. There's a sense of movement throughout the releaseiparticularly on 'Breath March', where rhythm and texture converge with palpable energy. Eno's atmospheric layers create space for Wolfe's voice to become a thread, guiding the listener through these reflective, almost sacred-feeling sonic spaces, where every note invites introspection and feeling.
… Read more in stock €29,19
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Review: Brian Eno's career has always been about explorationiof sound, technology and the emotional power of music. After pioneering ambient music, Eno has consistently sought out new ways to blend different genres and voices and his latest collaboration with Beatie Wolfe continues this tradition. Wolfe, a British-American artist with an innovative approach to music and activism, complements Eno's atmospheric world with her emotive, alternative vocals. Their work, recorded in London, moves seamlessly from the meditative to the experimental, with tracks like 'Big Empty Country' offering stark contrasts between the brightness of the day and the shadows of the night. This release is not only a nod to Eno's sonic experimentation but also a testament to his lasting influence as an artist who always seeks to connect art with broader societal issues, especially the environment.
… Read more in stock €17,76
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Review: Brian Eno, a towering figure in ambient music and a master of sonic landscapes, has shaped the contours of modern music through his production collaborations with iconic artists like David Bowie, Talking Heads and U2. His latest work with Beatie Wolfe, a conceptual artist from Los Angeles, encapsulates a career of endless reinvention. Recorded in London, the collaboration weaves together the worlds of alternative vocals and ambient soundscapes. 'Big Empty Country' serves as a vivid contrast between light and darkiits day and night versions embodying the very essence of Eno's immersive, evolving sound. Much like his work as part of Roxy Music and beyond, this release is both forward-thinking and introspective, grounded in a shared commitment to environmentalism and artistic exploration. It's a meditation on space, sound and feelingian unbroken thread in Eno's enduring legacy of artistic expression.
… Read more in stock €30,66
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Automaginary (reissue) (LP in screen-printed sleeve)
Cat: DC 626LP. Rel: 01 Mar 23
in stock €27,98
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in stock €29,69
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Teenage Jesus & The Jerks (reissue) (CD with obi-strip)
Cat: RADCD 016. Rel: 13 Feb 25
in stock €6,69
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Desert Window (limited clear marbled vinyl LP + autographed print + MP3 download code (indie exclusive))
Cat: FIRELP 678M. Rel: 05 Jun 25
in stock €21,65
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in stock €21,65
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Cat: 885101 2. Rel: 30 Jan 25
Review: The God Machine were one of the hottest bands of the 90s. They were signed to Fiction records (home to The Cure) and released two astounding albums of dark and industrial-sounding alternative rock. This is the second and final album from the San Diego/London band, whose history has been blighted by grief. Shortly after completing this album, their bassist Jimmy Fernandez suddenly died from a brain hemorrhage, brining an abrupt, unexpected and tragic end to the band. However, their legacy lives on thanks to the power of the music they've left behind. Highlights from this staggering album include 'Tremolo Song', which has a punishing, dark, swaggering, Stone Temple Pilots-esque feel. And the pulsating, tense cut, 'The Love Song' and the stirring 'The Devil Song', with its post-rock finale, are gripping reminders of the band's superior quality.
… Read more in stock €38,69
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Drop Out III (orange vinyl 2xLP + MP3 download code (indie exclusive))
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Spiderland (remastered) (gatefold 180 gram vinyl LP + booklet + MP3 download code)
Cat: TG 364LPV2. Rel: 24 Jun 22
Review: In many ways Spiderland is lucky to exist., Slint weren't exactly the most avid studio band in the world, only recording two full length albums during the five years in which they were properly active. They also disbanded around the time this record was released - 1991 - perhaps even shortly before, which could have scuppered any plans for their difficult second even after they managed to emerge from a recording facility with enough tracks.
But what tracks they are. Spiderland is rightly considered an absolute landmark, an LP that captures the spirit of rock 'n' roll in transition. Leaving one decade behind, and the hardcore punk that had dominated the underground guitar scene, while still retaining those ethics, it has one foot in grunge, another in experimental, another in garage and a fourth somewhere else. Enough limbs to mark it out as a real mutant.
… Read moreBut what tracks they are. Spiderland is rightly considered an absolute landmark, an LP that captures the spirit of rock 'n' roll in transition. Leaving one decade behind, and the hardcore punk that had dominated the underground guitar scene, while still retaining those ethics, it has one foot in grunge, another in experimental, another in garage and a fourth somewhere else. Enough limbs to mark it out as a real mutant.
Played by: Juno Recommends Rock/Indie
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